Many years ago now, I saw a painting, in a little city gallery, by an artist I'd never heard of before. In the most beautifully dappled colours, he had captured the changing light from tall tree shade to reflections by water's edge and the explorations of meandering children along the bank. It reminded me of long and free Summer days spent in waterholes and by creek beds in the place where I grew up. I couldn't afford to buy that painting, even though I so very much wanted to, but I've never forgotten the beauty of it and the memory and feeling it left me with. The artist was Dale Marsh and I have been enthralled by his paintings ever since.
I didn't know it then, but it is his work that features on the giant mural that welcomes you to Bribie Island. Children running, full of joy, down a sand dune greet you as you drive off the bridge and onto the island. Dale Marsh loves this island, referring to it as the "cradle to my soul and the inspiration of my life". He is now 80years old and still painting this place that means so much to him.
So it was to Bribie, for which Dale Marsh feels such affection, that I drove last Sunday to see Catching the Light, an exhibition of his work at the island's little seaside museum. Paintings inspired by and of the island adorned the walls of a light-filled gallery that looks out upon a view of the sea. Older paintings and more recent paintings and all so very beautiful.
Dale Marsh's beautifully dappled colours.
(Detail from The Overgrown Garden, 1985.)
Bribie Island's welcoming mural.
(Image credit: The Bribie Islander)
A deep love of place.
(Dale Marsh, 2019)
Catching the Light Exhibition Booklet.
In the quiet gallery, I spent much time with each and every painting. Looking up close at the brushstrokes and dabs of colour, layers of them, and then from distance to see the painting in its wholeness and wonder.
Detail from Morning Ramble at Red Beach
(Dale Marsh, 2016)
Detail from Reflections on a Posy.
(Dale Marsh, 2014)
Meg